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LyndseaK

Saturday, March 21, 2009

AARON SISKIND: Smart Museum of Art-The University of Chicago

Aaron Siskind, Chicago, 1949, Gelatin silver print, mounted. Smart Museum of Art, University of Chicago, Gift of the Illinois Arts Council, 1976.140.

I think this photograph has a lovely sense of negative space. I also like how Siskind brought attention to and observed that which is actually represented versus our perceptions.

Aaron Siskind: The Thing Itself January 13 – May 10, 2009
Aaron Siskind (1903–1991) is best known for his abstract photographs, often of natural forms or architectural features that were manipulated in order to produce unfamiliar images. Siskind minimized the importance of literal representation by carefully distinguishing between a photograph of something—which is a distinct, flat object shaped by the photographer’s perception—and his fully three-dimensional subject or “the thing itself.” This intimate exhibition combines key images from Siskind’s first forays into abstraction with the artist’s own eloquent writings in order to examine the tension inherent in his work: between the artist’s perception and the literal representation of an object.
Posted by Lyndsea at 9:21 PM

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Blog Archive

  • ▼  2009 (34)
    • ►  April (18)
    • ▼  March (13)
      • 3 of my images: week 4
      • EDWARD WESTON, ALFRED STIEGLITZ, IMOGEN CUNNINGHAM...
      • AARON SISKIND: Smart Museum of Art-The University ...
      • EMMET GOWIN: Pace/Macgill Gallery
      • 3 of my images: week 3
      • JORDAN TATE: Frye Art Museum
      • ELAINE DUIGENAN: Griffin Museum of Photography; At...
      • LI WEI: Paris-Beijing Photo Gallery
      • 3 of my images: week 2
      • PHILIP-LORCA DICORCIA: David Zwirner Gallery
      • MELISSA MANNING: Ghetto Gloss Gallery
      • JOEL STERNFELD: The Metropolitan Museum of Art
      • 3 of my images: week 1
    • ►  February (3)

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Lyndsea
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