Andrew Bush eventually devised a method of working whereby he attached a large format camera to the passenger side of his car and using a shutter release captured fellow drivers as they sped along the freeways.
Andrew Bush's idea of taking portraits of people in their cars is unconventional yet telling. That some of the subjects are aware of the photographer's presence while others are oblivious creates humor. As a viewer I am trying to 'read' both person and car, trying to figure out something about their identity in the same way I would a portrait.
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